The Aelius's top-to-bottom rhythmic agility may be in a class of its own. Its bottom end was nimble, clean, and well extended, and did the best job of controlling the woofers of the Wilson Alexandria XLFs of any amplifier that's been here since those speakers arrived.

The Aelius is yet another spectacular sonic and technological achievement from Ypsilon Electronics. I remain impressed by everything they do.

- Michael Fremer

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I’ve tried so many power conditioners that I won’t try to list all of them. In the end, I am a firm believer in the KISS (Keep It Simple Stupid) principle when it comes to audio design. Just look at my system, it only has three power cords, and one pair of interconnects plus the tonearm cable. The HB Designs PowerStar Horizon fits right into that principle. I can’t wait to get the Acrylic and the Marble in for a listen. 

Well done, Brian for bringing to the U.S. another great sounding product that most of us had never heard of.

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It’s hard to describe interconnect that doesn’t have much sonic character. It’s not warm, not cold, not dark or bright... basically, it’s just right, meaning it really isn’t there at all. And the benefit of this lack of character is that whatever is on the tape, that’s what you’re going to hear. 

The Magnus Prime lets you spend much more time listening to the music, rather than to the system. You’ll hear all that there is to hear, to a farethewell.

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The Magnus Prime speaker cables are certainly worth a long listen,
You may well end up deciding you can’t part with them.

To me, they’re well-balanced, highly detailed, dynamic and accurate, while also sounding natural, compelling, intriguing and effortless.

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...within a broad level of performance, the Aelius competes with any amp I've heard -- and I suspect any amp made today.

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"Man, what a natural, refined sound!" was my first enthusiastic response to the VPS 100. The differences lay in the quantity and quality of low-level information. The convincing little events are there, but equally important as this abundance of micro-level stuff is their terrific timbral and dynamic fidelity.

The VPS 100 conjoins excellent performance on the objectivist criteria with the unique qualities only step-up designs bring. The difference is this is the first step-up design that doesn't exhibit the step-up weaknesses.

As a total package, the Ypsilon VPS 100 Phono Stage offers the finest, most satisfying, analog playback I've heard to date. Marshall Nack

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The Ypsilon VPS-100 is far superior to any other phonostage, tube or solid-state, which I have auditioned by a rather significant margin.

The VPS-100 has punch, definition and subterranian extension in the bottom octaves combined with transparency, speed and limitless extension at the top while never slighting the midrange.

I hope that my enthusiasm comes through. In the end, I bought the review sample.

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At $37,000, the PST-100 Mk.II is very expensive; but given how it's made and how it sounds, and assuming you can afford it, it's well worth the money. For now, the Ypsilon PST-100 MkII is the most transparent and, therefore, the most perfect audio component I have ever heard—or not heard. Michael Fremer

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The Zyklop and the Minotaur are a pair of world-class power products. These Stage III power cords up the ante on every score. For those of us with an analytical bent, you will hear more detail, better imaging, and less noise. For those who don't give a rat's tail about analysis and just want to hear music, you will hear more of it as well. These two cords clean up the signal without stripping off any musical content. Both types of listeners will find their listening pleasure enhanced. The Stage III Zyklop and the Minotaur get my top recommendation. Marshall Nack

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